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Mrs Eaves

and Baskerville

A love story

RR

I want to place on the shoulder of her “R” a few slight touches

Baskerville's Letter to Voltaire

Mrs Eaves & Baskerville

An Introduction

Mrs Eaves
Roman 14px

This is a tale of an unlikely pair. A love story, but not as you may know it. This is the tale of Baskerville and Mrs Eaves. Star-crossed typefaces, words and centuries apart.

Baskerville
Roman 14px

The story is based on the real life love affair of type designer John Baskerville, and his housekeeper Sarah Eaves. She became his mistress, and they eventually married. Eaves kept up Baskerville's business after his death.

Mrs Eaves
Roman 16px

Designed by Zuzana Licko of Emigre Fonts in 1996, Mrs Eaves is directly inspired by the classic typeface, Baskerville, a transitional typeface designed in the 1750's by John Baskerville.

Baskerville
Roman 16px

In naming her typeface 'Mrs Eaves', Zuzana Licko honours one of the forgotten women of typography.

Soul meets soul

Baskerville

on lovers’ lips.

Mrs Eaves

Behind Their Dust Jackets

A love story

Baskerville was a much maligned figure, his contrasts deemed too sharp, with a character that was described by many as difficult to read. He was rumoured to be ‘damaging to the eyes’, though there was much debate about what type of damage he might cause. There were those who were quite swept away by his beauty, who thought he was very well-structured, with an elegance and symmetry rarely seen before. Others, however, were more inclined to discuss his sharpness, his thin lines, his ‘uniqueness’ – a term in this circumstance which was not meant as a compliment.

Perhaps these discussions came from a place of jealousy, snobbery, a need to tear down the successful. Baskerville, however, remained unaffected by his critics, and in doing so became a very popular figure indeed – and none more popular than with one Mrs Eaves.

Mrs Eaves, being of a much younger age and different time than that of Baskerville, was much better received in society. With her softer contrasts and low x-height, her wider proportions and her habit of appearing one point size smaller than the average typeface, Mrs Eaves’ entry into society was deemed acceptable.

Not that she was without scandal. For all the openness and lightness that her low x-height created, people whispered that perhaps it was too low, perhaps there was an awkwardness about her, that her characters didn’t quite fit together. There was talk of her loose spacing, in hushed tones of course. Despite this, Mrs Eaves had a unique quality that resonated with people – in particular one Mr Baskerville.

That the two should meet seemed inevitable. When Mrs Eaves laid eyes on Baskerville, it was love at first sight. She enchanted him with her ligatures, and he in turn dazzled her with his readability. She rounded him out, gave him a playfulness never before seen in one as structured as he. He was just her type, and his old world charm fit beautifully with her more modern ways. She found his ability to transition between their two world a source of great delight.

It could be said that they were ‘two characters in a ligature’. They shared many characteristics – the tails of their Q’s, their open-bottomed g’s. But it was their differences that made them extraordinary. With Baskerville’s clear forms, and Mrs Eaves’ decorative flair, the two combined were a force to be reckoned with.

With Baskerville as her constant support, Mrs Eaves became unstoppable. CD covers, restaurant menus, logos, she adorned them all. However, it must be said that her greatest love was literary. Mrs Eaves felt most at home with books. On their covers, in their blurbs, behind their dust jackets. A trip to the bookstore was never complete without witnessing Mrs Eaves in a vast array of elegant compositions.

It was a truth universally acknowledged that a partnership such as this must surely go down in history as one of the greatest love stories of all time.

swoon

I cannot exist

without you...

I should be most

exquisitely miserable

without the hope of

seeing you soon.

Letter from John Keats to Fanny Brawne

The Tale of Mrs Eaves

abcdefghijklmnopqrstuvwxyz

abcdefghijklmnopqrstuvwxyz 1234567890

Mrs Eaves

Roman

abcdefghijklmnopqrstuvwxyz

1234567890

Mrs Eaves

Small Caps

abcdefghijklmnopqrstuvwxyz

abcdefghijklmnopqrstuvwxyz 1234567890

Mrs Eaves

Bold Italic

abcdefghijklmnopqrstuvwxyz

1234567890

Mrs Eaves

Petit Caps

abcdefghijklmnopqrstuvwxyz

abcdefghijklmnopqrstuvwxyz 1234567890

Mrs Eaves

Bold

abcdefghijklmnopqrstuvwxyz

abcdefghijklmnopqrstuvwxyz 1234567890

Mrs Eaves

Italic

A pair of

star

crossed

typefaces

14px
The course of true love never did run smooth.
16px
The course of true love never did run smooth.
18px
The course of true love never did run smooth.
22px
The course of true love never did run smooth.
32px
The course of true love never did run smooth.
48px
The course of true love never did run smooth.

Ligatures

gi

ct

it

ff

ty

st

tt

oe

ae

fy

ee

ky

gy

oe

sp

ip

aa

mb

oc

ff

he

nk

oo

va

gi

*

Ever thine.

Ever mine.

Ever ours.

*

 

Ornaments & Special Characters

*HGI

←↓↑→

F†EE

»©$«

Shall I compare thee...?

Baskerville

Shall I compare thee...?

Mrs Eaves

Characteristics

High
crossbar
Pointed apex A

Swash-like tail Q

Top and
bottom serifs
C

Tail on lowercase
g doesn't close
g

Uppercase J extends
below baseline
J

No middle
stroke on W
W

Mrs Eaves has a lower x-height, lower cap height and wider proportions than Baskerville. However, many of their defining characteristics are very similar, for example the swash-like tail of the uppercase Q, the open tail on the lowercase g and the extended lower arm on the uppercase E.

Shall I Shall I

Mrs Eaves x-height

Compare? Compare?

Mrs Eaves cap height

Q

g

E

Q

g

E

Baskerville

Mrs Eaves

e

Mrs Eaves

e

Baskerville

shall I lay down in a fresh bed of italics and wait?

Baskerville's Letter to Voltaire